001 - 陳宅 Ab condo (2020)
台北市士林區 Shilin Dist., Taipei City
112㎡ (34坪)

123以女主人所鍾愛的拱門元素作為居所中心,成為串聯各空間的中樞大程度地捨棄固定櫃的做法,以重點式的訂製物件成為空間個性的展現並使白紙般的空間成為畫布,讓燈光佈局重新塑造視覺比例的感知。
Take the arch element beloved by the hostess as the center of the residence and become the center of connecting all spaces. Abandon the practice of fixed cabinets to a large extent, and use key bespoke objects to show the personality of the space itself. And turn the white paper-like space into a canvas, allowing the lighting layout to reshape the perception of visual proportions.

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002 - 曹宅 Yt condo (2021)
台北市士林區 Shilin Dist., Taipei City
112㎡ (34坪)

未定義的空間、延續性的動線、透露材料本質的表面處理,均呈現出了主人對於童趣的追求以及不願對空間使用方法設限的傾向各區所採用的材料配置,隱隱帶出了區域應如何被感受而非如何被使用的暗示,放開了居所的傳統設定。
The undefined space, continuous flow, and surface treatment that reveal the essence of the materials all exhibit the owner’s pursuit of childlike wonder and the inclination to avoid limiting the usage of space. The materials utilized in each area hint at how the space should be felt rather than how it should be used, thus breaking away from the traditional setting of the residence.

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003 - 馬崗小屋 Magang cabin (2021)
新北市貢寮區 Gongliao Dist., New Taipei City
43㎡ (13坪)

位於台灣極東處的老漁村 馬崗漁港,沿岸滿佈著延伸入海的地景式九孔養殖場,這使該地的道路與民房、老石屋以離海極近的距離與岸邊牽連合為一個完整的、半人造的有機體

本應作為度假用途的小屋,反因環境的狀態,自然自若地成為如柴房般接地氣的工作小屋
在室內外、房與房之間缺乏了過渡區域而產生的緊湊感,創造了與當地人事物間本然的緊密,卻又因著工作性質的跳脫,產生了遺世獨立的性格。
Magang Fishing Port, an old fishing village located in the easternmost of Taiwan, is full of landscape-style clam farms extending into the sea. This makes the roads, private houses, and old stone houses in this place connect with the shore at a very close distance from the sea. A complete, semi-man-made organism. A cabin that was supposed to be used for vacations, but due to the state of the environment, it naturally becomes a work cabin that is as grounded as a firewood house. There is a sense of compactness due to the lack of transitional areas between indoor and outdoor, room and room, creating an inherent closeness with local people and things, but due to the alienated essence of work, it has produced an independent personality.

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004 - 南河國小 Nanhe elementary school (Pitch) (2021)
苗栗縣公館鄉 Nanhe, Gongguan Township, Miaoli County
58.2㎡(14坪)

南河位於苗栗山區,是具有不同年級混班編列與食農教育的一所實驗小學設計中將校區邊陲閒置的堆肥區、放養式雞舍與具校園代表性的台灣欒樹結合為一個田園遊樂場藉由迴圈式、且無間斷的高矮寬窄走道漸變,使孩童的身體在移動中產生了不同的速度感與自定義的遊戲方式,以此帶出身體感知與心理上富變化性的趣味,達到讓不同年紀的孩童自主融入食農教育場所的目的。
Nanhe is located in the Miaoli mountain area. It is an experimental elementary school with mixed classes of different grades and an agriculture education system. The design combines the unused composting area on the edge of the campus, the free-range chicken coop, and the representative Taiwan Luan tree on campus into an idyllic playground With the circular and uninterrupted gradual change of the height and width, the child’s body would have a different sense of speed and customized playing method during the movement, which brings out the fun of physical perception and psychological change. Achieve the goal of allowing children of different ages to independently integrate into the farming education place.

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005 - 遠東牙醫 Yuan Dong Dental Clinic (2021)
屏東市 Pingtung City
270㎡ (82坪)

二十年前原為屏東代表性的牙醫診所,當年古樸的空間風格日漸脫離時代精神,如何取得新舊材料之間保留比例的重配,使節省與節能的初衷成為了新場域設計的特色主軸當代的空間比例刺激著懷古的材料,卻融洽合宜時,能造就出彼此特點上的突出,對傳統的兼容更經得起大環境趨勢的驟變。
Twenty years ago, it was a representative dental clinic in Pingtung. The old-fashioned spatial style gradually deviated from the spirit of the times. How to achieve a balance between new and old materials, preserving proportions, and making cost-saving and energy-saving the main focus of the new field design. Contemporary spatial proportions stimulate nostalgic materials, yet harmoniously blending when appropriate, can bring out distinctive features of each other, making them more compatible with traditional elements that can withstand rapid changes in the overall environment trends.

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006 - 程宅 Km condo (2022)
台北市大安區 Daan Dist., Taipei City
112㎡ (34坪)

以適恰的節奏佈局著公領域的視覺通透與私領域的動線串連,使空間更大程度地開放了使用方法的延展性簡化一切收納與機能在線條與重量上的存在感,並妝點著東洋木質調的比例與配重,映射出女性特質中的素淨與幹練。
With a well-balanced rhythm, the visual transparency of public spaces merges seamlessly with the flow of private spaces, thereby opening up a greater range of ossibilities for the usage of the space. By minimizing the presence of storage and functionality in line and weight, and adorning the proportions and balance of the East Asian wood tones, the simplicity and toughness in the female essence are reflected.

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巫何 Woohoo

成立於2020年, 致力於媒合空間中 光影/材質/色澤/形體 的藝術性與功能透過問題的處理與情感創作的思維,精簡事物之間無限種的空間關係為空間帶入有效且原創的設計方法,尋求適切地使用性與和諧的感官。
WooHoo was founded in 2020 and is committed to matching art and function through lighting, materials, color, and shape in space. Through the process of problem-solving and creative emotional thinking, we simplify the infinite relationships between elements in space. We bring effective and original design methods to spaces, seeking appropriate usability and harmonious aesthetics.

巫 熹
Sean Wu
M: +886 930 100 376

何 昕
Nish He
M: +886 987 720 291

E: info@woo-hoo.co
T: +886 2 2838 5431

111007台北市士林區忠勇街17號
No. 17, Zhongyong St., Shilin Dist., Taipei City 111007, Taiwan

巫何有限公司
Woohoo Co., Ltd.

臺北市文山區興隆路3段152巷5號5樓
5 F., No. 5, Ln. 152, Sec. 3, Xinglong Rd., Wenshan Dist., Taipei City 11698, Taiwan

Contact Information:
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Phone: +886 2 2239 3732

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Invoice Number: 27984307

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